Nothing schmancy fancy here. Just a strange thought I had to explore.
I just took the footage from my camera. Fed it into a depth map node and let it create its thing. The Depth Map. I then fed it into a 3D plane that’s then displaced.With a camera and set of lights that spin around while there’s some sort of starfields swirling around.
In my defence… it may not be pretty, or useful. But it at least was a short test.
Well, I for some reason wanted to do some more film photography, so I got myself a bunch of rolls of various forms of black and white stock. I also got a fresh bottle of Cinestill DF96 (because I am a bit cheap and a single monobath is still the most cost effective option).
The thing I mainly wanted to try out with this first roll was slow film. So I loaded my camera with some Ilford Pan F 50. I wanted to go further down the ISO range so I rated it at 25. Pulling it a stop. And I started shooting.
To my main dismay. I got about a dozen shots in… And I couldn’t ignore one thing. The thing being… that the roll-crank wasn’t moving when I cranked forward each new shot. I’ve seen this happen before… and I got saddened. It meant I fumbled the loading. I opened the thing up and sure enough. Not a single exposure was done on a fresh bit of film. I mean. I am a bit miffed about it. I mean. I had gotten some great shots of moose-poo, I thought!
Oh well. Reload properly. Some test shots. Yup. Now the thingy moves as it should. And a few days later. I have the roll fully exposed, I have it developed. And I start to scan.
And to tell the truth. Yes. I really liked the results… for the first half. But for the other half… Where I really commited to using my red filter to try to get extra contrast. Wow. There was pretty much nothing there. I mean. Out of 36 shots on the roll. I have deemed 21 sort of fit for public consumption. But really… the last few… No. Not only did I lose all sort of good contrast. But I also started seeing splotches from something in the developing. And there’s some light leaks during the long exposures…
All in all… Lets call it a learning experience.
Not quite sure though what I’ll load with for the next roll. I am tempted to do Ilford Delta 3200 at 1000. But I will need those rolls later on next week. But knowing myself.. I probably won’t be shooting much on film until then anyways.
Anywhoo. Here be the results that I am willing to share.
A discussion on facebook got me thinking what it would actually look like to take a wobbly video, feed it into a Gaussian Splat program like Jawset Postshot.
So I grabbed my camera. I did a really bad camera motion… And I put it through Postshot.
The result is quite remarkable, considering it was a quick test. I let Postshot downscale the footage to max 1600px and 30Ksteps training. It’s just a simple dolly in. So it helps. But still. The tech makes me wonder what I can use it for in future projects.
For more info on Gaussian Splatting and its uses, I highly recommend Olli’s youtube channel that I have no affiliations with whatsoever. I am merely a fan of his work.
So, I was looking around at old shows on my own server. And I suddenly got really really obsessed with the title sequence for Ultra Q. The pseudo-anthology monster show that would later, in its second iteration, become the more well known Ultraman.
I saw this title sequence, I can guess that it was probably made with a big tub of colored paint that had the title on it and a couple of spinning things on the bottom scrambled it while an upside down camera captured the distortion. The result, when strung right side up in a final print would then be shown as reversed footage where it starts as a swirly mess and magically unswirls into the intricate design of the title.
At least, that’s how I guess they did that. And it just stuck in me. I NEEDED to replicate it. Somehow. So… I opened Fusion. And. A few hours later… I got a fairly convincing result out of a few dozens of nodes.
I’m not quite sure what I’ll do with this newfound skill. But at least I could satisfy my need to replicate an ancient title sequence.
Also. I had found the show in two forms. Both as a colorized version and the original black and white. Both looked reaally cool in their own rights. So I did my Fusion renders in both color and black and white as well.
Feel free to reach out to me here on the webpage with a comment if you want me to go further into how I did do this replicated effect.
Just had an idea while driving home after picking up a packet with a couple of blurays from Vinegar Syndrome. Turned into a week-long project filling up my spare time.
Does this mean I will be starting reviewing films? Will I return to that series of reviews that after over a decade still is getting most of the views of my channel?
Maybe? Probably not. But still… ? No… I do not promise anything
I was quite literally sitting on the toilet thinking, “wait… what if I film in super slow rate and feed it into the DaVinci Resolve timeline with frame interpolation set to optical flow instead of nearest neighbour for real time playback?”
A test needed to be done, and that’s this video. Just a simple video explaining what is trying to be achieved and the resulting test footage
Where we meet up with Herr Nicht Werner and see what he’s been up to since last year when he got turned into a golden orb and was sucked into a kitchen drawer.
I’ve been livestreaming on youteube on a semi-daily basis. This is a condensed version of these streams up to this point. They vaguely tell the story of how the script and story of the upcoming Advent Calendar was created.
I think I’ll continue to make these stream-recaps at various intervals. Just to show what is done here.
Oh, and the streams themselves are mostly sonically empty. I tend to listen to copyrighted music and videos during these streams so the streams are set up so that only speech is broadcasted. And I am not a talkative person during these streams. To overcompensate for that. This version is now filled with ungodly ear-piercing noises.
please do enjoy what you can of it.
Where Nicht Werner is forced to apologize about episodes not publishing in time???
Like the thumbnail says. I had a little idea and it became this vortex where a vessel sloooowly creeps through.
Visuals and sounds by yours truly. Me, that is.
Ever wondered what it might feel like to tumble across space uncontrollably while a hellish organ-like sound pounds your ear? Well. This may not be it. But that’s what I thought it looked and sounded like as it went rather quickly from a simple test of line-animations (it’s not in the video any more) to this stroboscopic faux Gaspar Noe experience.
Please do enjoy if you are so inclined. If ye do not. Then I hope future endeavors will be more to your particular liking.
And now, here’s a handful of experimental shots. Trying my hand at the ancient and noble art of Matte Painting. But as it’s my first attempt, i did keep it on Black and white to at least not have to worry about color theory and color matching.
Oh, and… No AI was used in these paintings. If it looks like poop. It’s because I paint like poop.
And those poop like paintings were done in the wonderful Free and open source program called Krita. And video editing and soundwork was done in not free and open source (but really good anyways) app DaVinci Resolve. Source footage obtained with a BMPCC6K2G.
Back to the regular content now.
A flickering mess of DaVinci Fusion noise.
I just kind of thought it looked coool. Especially as I added the Motion-blur node and things moved too fast for it so it kind of broke and it started to show strange squiggly lines as artifacts. So of course I put edgedetect and xglow on it to accentuate it as electical squigglies.
As usual. The bleps and blöps are made by me with whatever I have in my “studio”.
Table of Contents:
00:00 – Titles
00:29 – The main feature.
10:29 – Outro
Ever wanted to be your own Wong Kar Wai? Ever wanted to try out StepFrame recording? Ever wanted to use 180degree shutters while going slower than normal framerates? Were you one of the few that saw my SlowRate Recording Test ( https://www.youtube.com/watch?v=paAGscJ_kxg ) from a couple of years ago and wondered how to actually do what I did?
Did you think that the video needed to be 10 times longer and filled with bad voice-recording methodolgies and a constant noise that flows between the speakers continiuously throughout the whole video?
Well, to I have the video for you, mr/mrs/ms person who fit all of those strange criteria!
As I allude to in the video. Do not take this as a promise that I will start to do tons of exciting camera and Resolve tutorials. I may follow up with other tutorials and walk-throughs of how I do some of the stuff I do. Just like I am not a gear reviewer. And I am not about to start doing consistent content. This channel has failed to go pro ever since 2006 and I’ll be darned if I start to succeed now.
This time. I actually went out to record the Aurora Borealis, not just doing it by accident like I did in youtube.com/video/NHckn3uEY30/
About a year and a half ago, I made most of an almost hour long video that explored how long a 4×4 single bit video at 24 fps could be without repeating any frames. Then… I somehow, through sidetracks… I kind of forgot to finish it and upload it.
Now, now that I was cleaning out old projects from my project drive on my edit bay. I stumbled over it once more. I thought… it’s kind of a shame to let this go to the bin. So. I took a few hours to do the remaining edits and gave it a noisy soundtrack. Note for sticklers of detail: the narration credits the Behringer DeepMind 12 as the instrument being played. But it ended up only being used for the first 12 minutes or so (fittingly), the rest is done with an arturia keystep running the same sequence on a combo of a MOOG Mother-32 and a DFAM. Where the M32 is going through the Chorus setting of my Mackie Mix12FX because I liked how it widened the mono signal of that moog.
So, if you have an hour to spare for looking at a video that is mostly just flashing squares in a 4×4 grid… I do hope you enjoy.
Well, I say enjoy…
As the preamble tells it. I was reminded that the Perseids were going to be at maximum on the night of aug 12. So I gathered what gear I have and set out to try to record some of those quick light streaks.
And. Yeah. I did not record a single one.
But! instead, I did get to use the same cameras to record the unplanned Aurora Borealis that were going on right above my head.
If you’re wondering why I’m in a lot of these shots. The plan was to shoot the hero timelapse shots on my GH4 as it is better at timelapse-recording than my big BMPCC6KG2 camera. The GH4 can do full long exposures of several seconds. While the BlackMagic Camera can at most be pushed to 1/5 second exposures. So I set it up as I mention in my video on slow-rate recording, with the camera at Off Speed Recording at 5 fps. Shutter at 360 degrees and timelapse to only record every other frame. That way I get the maximum exposure of the camera while keeping a 180 degree effective shutter, with an effective fps of 2.5. So I rigged up a microphone and did claps to then do in camera narration.
But the 2.5 fps footage looked better at full 24 fps as I pivoted to capturing the lightshow instead of the shooting stars that I planned to film. And the ISO25600 setting, while noisy. Was surprisingly usable.
As usual. The noises you hear are produced and edited by yours truly. I still won’t call it music. But it’s something for the soundtrack side of things as I scrapped the whole idea of voice narration.
Listen to Walter Much talk about Worldizing here:
https://www.youtube.com/watch?v=_py6jVyOqUY
I just realized that I didn’t upload this one. It’s not too hard to watch. I think. And according to Youtube’s statistics people want to see and hear more of/from the Zoom M4. At least that’s how I interpret the abnormal interest that recorder has on my viewership.
So, enjoy this little experiment in old school sound design.
Oh, and just to be clear. Unless otherwise noted in the video. I’m using my DJI wireless mic thingies to pick up normal speech. The M4 is only used for the worldized sounds.
So I decided to try out doing my own Film Processing. This here video documents the results of the first two rolls.
First one is an old roll of Kodak P3200 pushed to 3200 that I had lying around. And the second one is a brand new Ilford HP5+ at box speed 400.
And yeah,,, “Daily Upload”… is never a Daily thing for me… 🙁
The auditory Bleeping and Blewping is made by me to fill the soundtrack of this thing that does not really have a narration.
Enjoy at your own peril.
Not really sure what this will be. Maybe just a cryptic camera test?
